Mattia Listowski, artwork photography Seashore, 2010.






Mattia Listowski, artwork photography Seashore, 2010.


SEASHORE INLAND


Mattia Listowski, artwork photography Seashore, 2010.


SEASHORE PEAK
December 2009, Digital Print, in Scape/Shore/Lights, Perceptive Landscapes, Alpa and Playgrounds exhibitions.





Tranquility is necessary in order to define the sensation of time acceleration. With WINDSHORE, OFFSHORE 1 and SEASHORE INLAND, the viewer searches for the calm side of their accelerating environment. Technique is highly important in the delivered message, a vector of reality interpretation. Photography is a memorial document, a monochromatic palette not edited or installed. The two photographs and the video installation about dust are technical interpretations; expansion in Offshore 1, digital artifacts in Seashore Inland, screen calibration in Windshore. These highlight phenomena invisible to human eye under normal visual conditions, and give direct access to a view that usually takes longer without technical distortion. One is talking about the awareness of dust in front of a light, the sensation of large-scale movement, and the sensation of landscape resulting of artificial retinal persistence.