May 2011, Installation, in Scape/Shore/Lights exhibition.
These two projects consist of reporting filmed events with some images justifying a discourse that leads to show these images. With AUTOSHORE, the television justifies itself, a screen within a screen within a screen etc. Overlayed images that justify themselves create emptiness, referring to the cavity of the object: television short-sight the view, infinity becomes finished. This is a contradiction. It's the contemplation of void. With TWINSHORE we don't film what we see for what it is, it's already the meaningless image of the box.